japanese-composition

Plugin japanese-composition from marketplace japanese-composition-skills in jtydhr88/japanese-composition-skills. Commands read from the repo's manifest — 1 month ago.

Skills (11)

• jp-arrangement

  Arrangement and MIDI uchikomi (打ち込み, MIDI programming) - realistic part-writing for each instrument (drums/bass/guitar/piano/strings/brass), groove design, humanization parameters, band-sound production, yotsu-uchi (four-on-the-floor) dance and Trap beats, spectrum-layered arrangement thinking. Use

• jp-chord-progressions

  Quick-reference library of standard Japanese chord progressions - Ōdō shinkō (royal road, 4536), Canon progression, Komuro progression, Maru-sa progression, cyclic/reverse-cyclic patterns, clichés, descending bass lines, minor two-five and 100+ more patterns, with mood tags and usage scenes. Use whe

• jp-chord-selection

  Method for harmonizing a melody with chords - key identification, diatonic chords, cadences, non-chord tone handling, the three staple progressions, and 7th upgrades. Use when the user has a melody that needs chords, is unsure which chord fits a given measure, or needs to determine the key of a melo

• jp-composition-basics

  J-Pop composition fundamentals - the full composition workflow (drums → chords → bass → melody), basic music theory, rhythm patterns, diatonic chords, and cadences. Use when the user wants to write a J-Pop/Japanese-style song from scratch, asks about the step-by-step composition workflow, or needs b

• jp-harmony-advanced

  Advanced harmony techniques - slash chords, secondary dominants, two-five progressions, ura-code (tritone substitution), subdominant minor borrowing, tension-note selection, cliché lines, passing diminished, sus4, blues. Use when the user wants chord progressions with more color or a jazzier feel, w

• jp-jazz-adlib

  Line-drawing jazz improvisation - draw the melodic contour line first, then fill in notes. Covers the line-type system, chord-tone priority beat positions, gake (large leaps), approach notes, chromatic scale, scale selection, kishotenketsu solo construction, and hands-on Blues and Rhythm Changes. Us

• jp-melody-writing

  Melody-writing methodology - pitch-motion mechanics, note duration and rhythm, modes and pentatonic scales, motivic development, phrase construction, lyric-melody fit, and whole-song climax design. Use when the user wants to write a melody (verse/chorus), wants to improve a bland melody, needs motiv

• jp-mixing

  Mixing techniques - low-end strategy (Kick/808/Sub layering), saturation/harmonics, sidechain, vocal processing and effects, classic techniques like Gated Reverb, and sound-recreation parameters for 17 genres based on landmark albums. Use when the user's low end is muddy, vocals won't cut through, t

• jp-modulation

  50 modulation techniques - achieve modulation in any direction (up/down a half step, whole step, or minor 3rd; parallel key; chained modulations) using V7 cushions, ura-code (tritone substitution), two-five chains, dim/aug chords, parallel shifts, and more. Use when the user wants to modulate within

• jp-song-structure

  Japanese song form and catchiness design - the A-melo/B-melo/sabi section system, atama-sabi/ō-sabi/C-melo, section-contrast techniques, sabi maximization, catchy hook design, climax placement, intro and interlude design. Use when the user is planning the structure of a whole song, the chorus isn't

• jp-vocal-lyrics-production

  Lyric-melody fitting and vocal production - Japanese pitch accent and fuwari (符割り, syllable-to-note mapping), handling ji-amari (字余り, too many syllables) / ji-tarazu (字足らず, too few syllables), vocal recording (mic selection / direction / pitch-correction philosophy), harmony vocal design, demo produ

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