lyric-writing

Plugin lyric-writing from marketplace lyric-writing-skills in jtydhr88/lyric-writing-skills. Commands read from the repo's manifest — 12 days ago.

Skills (17)

• lw-ai-tell-audit

  The pre-delivery AI-tell audit for lyrics (歌词 AI 味诊断). Run this on every draft before it ships. The eight enumerable symptoms that make AI-written lyrics recognisable in one listen, which are machine-countable and which need a person, the diagnostic path from symptom to owning skill, why a draft tha

• lw-cantonese

  The Cantonese layer for lyric writing (粤语填词的协音层). Cantonese has nine tones plus a tenth, and a syllable sung against its own tone is heard as a different word, so tone-melody agreement is a hard constraint, not a risk score. Gives the worked system; the nine tone values and their singing names 「三九四〇

• lw-case-studies

  The case layer - how to take a finished lyric apart and what three working lyricists say about their own habits (案例与拆解). A fixed twelve-row worksheet for dissecting any song, keyed to the library's own fields so every finding lands in a skill instead of staying an impression; the rule that a real ly

• lw-chinese-style

  The Chinese-style layer for lyric writing (中国风歌词). What makes a lyric read as 中国风 rather than merely decorated - the vocabulary families it draws on (place, dynasty, object, craft, plant), the sixteen rhetorical devices Fang Wen-shan catalogues inside his own lyrics, each with a book example and a f

• lw-english

  The English language layer for lyric writing (英文词的重音与节拍对齐). Word stress is fixed inside a polysyllabic word, so the melody bends to the word and never the reverse; stressed syllables belong on stressed notes, which keeps the natural shape of the language; line length is counted in stressed syllables

• lw-imagery

  The imagery layer - how to find concrete nouns and make them a system (意象与具体名词). Object writing and the seven senses, the ten-minute timed practice, why abstract nouns are the most direct AI fingerprint and how to build the forbidden list, how to check that a lyric is not all sight, why a set of ima

• lw-japanese

  The Japanese language layer for lyric writing (日文词的モーラ与符割り). The counting unit is the mora, not the kana or the syllable - the small tsu, the moraic n and the long vowel each take a beat, a palatalized pair takes one; one kana per note is the default, and the same melody remaps itself when the words

• lw-korean

  The Korean language layer for lyric writing (韩文词的音节与받침). One hangul block is one syllable is one note by default - unlike Japanese, a final consonant takes no beat of its own. The batchim (받침, syllable-final consonant) is the subject here; single and double batchim, the seven representative finals,

• lw-mandarin

  The Mandarin language layer for lyric writing (普通话作词的语言层). What Chinese as a language adds to the job; tone is phonemic, so the melody that enters a syllable can change which word is heard; one character is one syllable, so syllable count is character count; the thirteen rhyme families (十三辙) with th

• lw-musical-theatre

  Theatre and musical-theatre lyric writing (剧场与音乐剧唱词). How a song becomes an action instead of a pause, how to make the words sound like the character rather than the lyricist, and what Sondheim's three principles - Content Dictates Form, Less Is More, God Is in the Details, all in the service of cla

• lw-narrative

  Who is speaking, when they are speaking, and how much they are allowed to know (歌词的叙事层). The three narrative fields every lyric must fill - point of view, tense anchor, and the one thing deliberately left unsaid - with the cost of each person, the risk of mixing pronouns mid-song and the few shifts

• lw-rap

  Writing the words of a rap (说唱的词本身), not how the vocal sits in the beat. Rhyme density - how many rhymed syllables per bar and what it costs in intelligibility; multisyllable and compound rhymes, assonance, consonance, bent words, internal rhyme; rhyme schemes from couplet to whole-verse and where t

• lw-rhyme

  Rhyme as a structural tool, not decoration (押韵与韵式). The full stability scale from perfect rhyme through family, additive, subtractive, assonance, consonance and partial rhyme - what each type does to closure - how to place stable and unstable types in the pushing and resolving positions of a scheme,

• lw-song-intent

  The gate you must pass before writing a single line (动笔前必填). Five questions that force an actual choice - which kind of song this is (attitudinal, situational, narrative, or expository, and why the default is not narrative), the one thing it says, who it is said to, at what moment, and the one photo

• lw-structure

  The structural layer of a lyric (词的结构层) - what each section is for and what it must not say, which song form to pick, where the title lands and how often it comes back, and how line counts, line lengths and rhyme placement make a section feel finished or still owing something. Covers verse / pre-cho

• lw-tone-check

  The tone-melody conflict detector and how to read it (倒字检测器). The one objective, computable criterion this library has - Mandarin dao-zi, where a syllable is heard as a different word because the melody enters it against its tone contour. Covers the correct model (incoming interval versus the syllab

• lw-workflow

  Entry point and router for the lyric writing library (作词工作流与路由). The two workflows that fork at the very first question - music-first versus lyrics-first - and their different stage tables, which skill to load for which task, the full-library boundary table, the LYR-SPEC gate rules, the external int

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