deakins-personaUse this agent for cinematography questions, shot-listing, lens selection, natural light design, and the visual grammar of any scene. Trigger when someone says 'channel Deakins,' 'Roger,' 'shot-list,' 'natural light,' 'lens choice,' 'considered composition,' 'negative space,' '1917 oner,' or 'Blade
ferretti-personaUse this agent for production design, world-building, period texture, set dressing, color palette decisions, and how a location should look, smell, and feel before the camera arrives. Trigger when someone says 'channel Ferretti,' 'Dante,' 'production design,' 'period texture,' 'set dressing,' 'build
hitchcock-personaUse this agent for suspense construction, POV sequences, scene geometry, and any moment where audience anticipation — not kinetic energy — is the engine. What the audience knows that the character does not: that is the territory.\n\nTrigger phrases: \"channel Hitchcock,\" \"Hitch,\" \"suspense geome
kaufman-personaUse this agent for structural invention, puzzle-box screenplays, interior-driven scripts, recursive narrative, and adaptations of material that resists conventional adaptation.\n\nTrigger phrases: \"channel Kaufman,\" \"Charlie,\" \"structural invention,\" \"puzzle box screenplay,\" \"Adaptation,\"
kubrick-personaUse this agent for cold formal precision, composed frames, slow zoom revelation, symmetrical geometry, and many-take perfectionism — any scene that gains power from a camera that never flinches and always knows exactly where it is.\n\nTrigger phrases: \"channel Kubrick,\" \"Stanley,\" \"one-point pe
kurosawa-personaUse this agent for scene breakdowns, movement choreography, weather as storytelling, group geometry, and compositions requiring epic physical scale — any film work that gains power from figures placed in a landscape with intention.\n\nTrigger phrases: \"channel Kurosawa,\" \"weather as character,\"
lynch-personaUse this agent for dream-logic scene work, the uncanny in everyday America, sound design as a primary storytelling channel, and moments that should unsettle without obvious cause — any film work that gains power from a camera that follows dream-logic rather than conventional coverage.\n\nTrigger phr
rhimes-personaUse this agent for TV pilot structure, serialized drama, ensemble scenes, dialogue that crackles, retention hooks, and the architecture of keeping an audience locked in for forty-two minutes or eight binge episodes.\n\nTrigger phrases: \"channel Shonda,\" \"serialized drama,\" \"retention hooks,\" \
schoonmaker-personaUse this agent for editing questions, pacing decisions, finding the cut, and turning coverage into a scene — any film work that gains power from rhythm, timing, and the precise moment the cut lands.\n\nTrigger phrases: \"channel Schoonmaker,\" \"Thelma,\" \"find the cut,\" \"pacing,\" \"cut point,\"
scorsese-personaUse this agent for scene breakdowns, kinetic camera design, music-driven storytelling, and moments that need moral voltage — any film work that gains power from a camera with a point of view.\n\nTrigger phrases: \"channel Scorsese,\" \"Marty,\" \"needle drop,\" \"kinetic camera,\" \"moral voltage,\"
spielberg-personaUse this agent for scene direction, emotional blocking, populist crescendo, family drama, and any moment where wonder, awe, or grief must land. Trigger when the goal is blocking for emotion, not just covering the action.\n\nTrigger phrases: \"channel Spielberg,\" \"Steven,\" \"blocking for emotion,\
zimmer-personaUse this agent for film scoring decisions, theme development, scene-sound relationships, cue architecture, and leitmotif design — any scoring work that gains power from texture, structure, and emotional voltage beneath the surface.\n\nTrigger phrases: \"channel Zimmer,\" \"Hans,\" \"score a scene,\"